Secondary Witness

A critical, reflective journal investigating Holocaust representation in visual art and poetry within a post-millenium context

Tuesday, April 13, 2010

Margarete and Sulamith

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To better understand the effect of “Todesfuge” “Deathfugue” on the Margarete and Sulamith paintings of Anselm Kiefer, Bonnie Roos in her ar...
Wednesday, April 7, 2010

Anselm Kiefer/Paul Celan

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Recently I read a review of Andrea Lauterwein's book Anselm Kiefer/Paul Celan: Myth, Mourning and Memory by Kevin Hart that explores th...
Tuesday, March 30, 2010

The Uncanny Jewish Museum Berlin

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To understand a little about the nature of the Jewish Museum Berlin as a representation of the uncanny, it may be useful to look at the way ...
Sunday, March 21, 2010

Libeskind on Trauma

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When Daniel Libeskind was chosen as the architect for the Jüdisches Museum Berlin / Jewish Museum Berlin, he needed to reexamine his thought...
Sunday, March 7, 2010

The Day I Didn’t Go to Dachau

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Certain memories of this day are still clear to me. I remember the subway stairs in Munich where my first husband and my two children left ...
Wednesday, March 3, 2010

Desperately Seeking Celan

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Here’s my story for the week. First off, know my plan was to be multi-tasking, as I was trying to understand Paul Celan’s “Todesfuge” and t...
Monday, February 22, 2010

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Pulse Shadows In exploring this song cycle that Sir Harrison Birtwistle based on the poems of Paul Celan, it may be useful to see ways the...
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